The Man of Steel Trailer # 2: Reboot of the Blue Suit Just Might Work Well For Most Fans...

Oops - the darn html code for the trailer disappeared when I hit Post! Anyway, here you go!

 

I'm liking this new trailer more than the first one for a few reasons, but I'm still not too fond of that blood-drained color palette so many modern films overuse. Look, I get that this is a darker, more emo Supes and all, but I'd like to have some more colors popping where applicable (but not quite like the old comics and their 4 color overkill, though). The big Q's will e how's the final cut and is this a better Superman than Richard Donner's 1977 flick? I think the jury is out until the film is released, but I also think both will be seen as great for their separate eras by fans of the comics and films from then and now.

Random Film of the Week: Fiend Without A Face

Yup, this is re-posted from the other DAF blog just to have something up daily here. I'm still transferring content to the new blog from here, so I may as well add selected posts from time to time. Lazy? Hah! Not really, as I'm in the middle of writing a stack of game reviews and figuring out what to do with a THIRD site (eek)- enjoy!

   

If you're old enough and recall camping out in front of the TV on Friday or Saturday nights long after the sun went to sleep (Chiller Theater or Creature Features, anyone?), you probably saw a ton of horror and sci-fi flicks from the 50's and 60's. For some reason, Hollywood's "B" movie makers were brain-obsessed during this period, churning out films good to terrible with titles such as Donovan's Brain, The Brain From Planet Arous, The Brain That Wouldn't Die and so forth and so on. All those brains on screen and yet, the best one wasn't even made in the USA. For years I always thought Fiend Without A Face was a US-made "B" flick, but I just found out recently that it's British. Oops. Granted, that doesn't make it any "classier" at all - it's just yet another reason you should check out this classic 1958 sci-fi/horror gem.

Jack the Giant Slayer Trailer: Well, It's Got To At Least LOOK Better Than the Original, Right?

 

Hey, I'm old enough to remember seeing the original 1962 flick on TV a few times during the late 60's and early 70's, but even then I thought it was pretty cheesy when it came to the special effects. That was thanks to seeing almost all of Ray Harryhausen's work in better films and noting my my smart little head right away that the "special" effects in Jack weren't up to snuff. Hell, 1940's The Thief of Bag(h)dad beats JtGK by a few miles in terms of sheer visual punch.Anyway, some who view this trailer are crying "sacrilege!" or claiming Warner Bros has RUINED their childhood memories, but I say this new coat of CG paint might at least be a better film in terms of looks. OK, and acting as well, as I never could stand Kerwin Matthews as a lead. There was something about him was so wooden that the effects in the fantasy films he was in were more compelling (well, except for the ones in the original JtGK). We'll see about the story and all that in a bit, I suppose...

Film Review: POM Wonderful Presents: The Greatest Movie Ever Sold

Advertising isn't new to entertainment at all, folks. In fact, in the last century, both radio and TV broadcasts were sponsored by major companies pushing everything from cigarettes to cars to cereal and dishwashers. Soap operas were in fact, heavily reliant on pushing laundry detergent to a mostly female audience (though that selling point was phased out over time, the name stuck). However, these days, it's gotten to an over-saturation point where too many films,TV and even news shows are non-stop advertisements for nearly everything held, eaten or otherwise remotely handled by their casts.

Director Morgan Spurlock is no stranger to throwing himself head first into his documentary projects as a more than eager human guinea pig and in POM Wonderful Presents: The Greatest Movie Ever Sold, he dives into the rather shifty world of product placement and manages to pop up smelling like roses and shilling to the masses simultaneously. The film is a hilarious peel back the curtains "Doc-buster" on how advertising agencies along with Hollywood film and TV studios have turned nearly every form of entertainment or information source into stationary or moving ads for thousands of popular products. If you've ever wondered about why you're seeing all those familiar foods, cars, clothes and tech toys called out by name or lovingly displayed in your favorite shows, films and news, you'll want to drop that remote and go buy a ticket to this instant classic.